When I finished reading Pavilion of Women, I started searching Shakespeare’s sonnets to find the words “marriage of true minds.” Pearl Buck’s book had sparked the memory of a poem I hadn’t read in at least 30 years. My search for the phrase was, perforce, lengthened because I had to stop and read through several poems just because they were beautiful. Then at Number 116 I found the lines,
Let me not to the marriage of true minds
Admit impediments.
The body of the sonnet doesn’t have much to do with the novel, but Madame Wu, the protagonist of Pavilion of Women, does experience a “mental marriage.”
Pearl Buck, the daughter of American missionaries, grew up in China. She wrote novels about traditional Chinese culture; the most famous is probably The Good Earth, made into a movie in 1937. Reading about 1930’s rural Chinese aristocracy is a journey into an alien culture that at first seems stifling. However, the family compound that houses 60-plus people affords privacy that we might envy in our four-bedroom houses. And the restrictions on women seem less pronounced when we see them visiting and especially when we become aware of Madame Wu’s tight hold on the finances and accounts of the family businesses. Ms Buck treats the manners and customs with such ordinariness that they seem right and normal, bringing us into the household as if we had always known this culture.
Pavilion of Women opens on Madame Wu’s fortieth birthday. At the end of the festivities she tells her husband of 26 years that she is moving out of his apartments and will find a concubine to warm his bed. The plot follows the consequences of those actions.
But when Madame Wu hires the missionary Andre to teach her son English, there is a change in the atmosphere. She supervises the lessons to make sure the monk does not try to convert her son to Christianity. Then in conversation after the lessons, Madame becomes entranced with Andre’s ideas about people’s relationships with God and with each other. After his death she takes on one of his projects — raising 20 girls he has rescued. And his remembered voice becomes her compass for maneuvering in the new world of war, airplanes, communism and democracy.
It’s an engrossing story about a woman who learns to love in spite of herself. And even though the story line could not have happened in the West at any time during the last few hundred years, its universal values and humanity speak to us today, especially to women “of a certain age.” And, although there are no sensual scenes, no violence and no foul language, parental guidance is recommended. This book is about sex!
